As part of this immersive creation directed by Luc Petit, we participated in the lighting design and operation for the show Les Rois Mages, presented within the cathedrals of Brussels and Tournai. Conceived as a visual and narrative journey, the show relies on a powerful spatial arrangement, where the lighting accompanies the story and guides the audience’s gaze through the various sequences. We developed a lighting style centered on creating atmospheres, managing contrasts, and highlighting architectural volumes, in constant dialogue with the specific characteristics of these heritage sites. Our intervention required precise adaptation to each location, taking into account technical constraints, monumental scales, and diverse viewpoints, while ensuring the coherence and clarity of the performance. We managed the lighting operations in a demanding context, with particular attention paid to precision, the fluidity of transitions, and the quality of execution within sensitive environments.
The Great Bell no longer rings. What a tragedy for the Bell Ringer, whose mission is to announce the arrival of Christmas. He must absolutely find a solution as quickly as possible to save Christmas. The adventure takes you, alongside the Bell Ringer, to meet unusual and mysterious characters who draw you into a wild journey in search of the sound of the Christmas Bell. Between music boxes, automatons, and chimes, Luc PETIT and Michel TEHEUX take audiences into a magical audiovisual spiral full of poetry. Magic, illusions, humour, and dance—everything is staged brilliantly to delight the eyes and ears. An odyssey filled with hope that immerses the audience in the innocence of childhood, guided by the graceful clatter of Christmas’s celestial percussion.
First collaboration for creation and lighting programming
For this first creative adventure alongside Luc Petit, I had the opportunity to shape the luminous world that accompanies The Christmas Bell Ringers. From the very first discussions, the aim was to find the right emotion—the colour that tells a story, the sparkle that highlights a gesture, or the shadow that leaves room for mystery. My work took shape as an exploration: how can light resonate with the rhythm of the music? How can the artists be wrapped in a warm, festive, or magical aura depending on the scenes? Each moment was conceived as a small story in itself, a fragment of magic to be revealed with delicacy. The lighting programming was carried out in the same spirit of sensitivity and precision. Cue after cue, I sought to create a visual breathing space—transitions that go unnoticed yet are felt, and lighting accents that support emotions without ever imposing them. Working with the artistic and technical teams made it possible to weave a true dialogue between the director’s intentions, the performers’ energy, and the poetry that light can offer. This collaboration gave me a space where creativity could be fully expressed, in the service of the sense of wonder that is so characteristic of Luc Petit’s worlds. For me, this first shared experience marks the beginning of a joint artistic journey, fuelled by inspiration, attentive listening, and a shared desire: to bring magic to life.
As part of the Christmas of Cathedrals tour, we participated in the lighting design and operation of this creation, directed by Luc Petit and based on an original text by Michel Teheux. Deployed within exceptional heritage sites, the show adopts an immersive approach where light interacts with the architecture, revealing the volumes, materials, and unique perspectives of each cathedral. We developed a lighting concept focused on creating atmospheres, highlighting the built environment, and sensitively accompanying the narrative, striking a balance between sobriety, precision, and visual impact. Our involvement required precise adaptation to each location, taking into account technical constraints, monumental scales, and specific architectural features, while ensuring consistency and clarity from one site to another. We managed the lighting operation throughout the entire tour, maintaining a high level of precision, reproducibility, and respect for the environments.
Position: Light designer and operator Artistic Director and Staging: Luc PETIT Texts: Michel TEHEUX Production: Nocturnales ASBL
