For the second consecutive year, LSE handled the technical production for this National Day.
Position: Project Manager – Lighting Designer







Through a spectacular and immersive production featuring nearly a hundred artists and extras alongside projections on the Mardasson, enhanced by grandiose pyrotechnic effects, this show conceived by Luc Petit constitutes a poignant tribute to the heroes of the Battle of the Bulge.
An event befitting the duty of remembrance required by the commemoration of this crucial chapter in history, evoked through the fate of five young Texans plunged into the hell of winter 1944. A vibrant tribute to those who fell around Bastogne and to the veterans who wrote and shaped our contemporary history.
Client: Luc Petit Creation
Position: Project Manager – Light Designer – Light Operator














The sky of Riyadh was transformed into a theater of luminous choreography.
Throughout the Noor festival, lasers shot out from the city’s most iconic skyscrapers along King Fahd Avenue: the Kingdom Centre, the Faisaliah Tower, and the Majdoul Tower, connected to each other by beams of light.
LSE handled the complete installation and programming of lights and lasers throughout the city, as well as the wireless synchronization and control of the show between each skyscraper.
This artistic work was crowned with the Guinness World Records for the largest laser show (surface area covered) and the longest distance traveled by a laser beam, over 6.01 km.








A show where architecture comes alive.
With “And the stone became light”, the Collegiate Church of Huy transforms into a true scenic jewel. The show follows the tradition of heritage operas conceived by Luc Petit, where stone, steeped in history, becomes the starting point for an immersive experience blending light, dance, music, and performance.
In this context, light does not merely illuminate: it reveals. It highlights Gothic lines, redefines volumes, and constantly interacts with the architecture. Each scene enhances the venue, transforming matter into emotion.
Our work on this project was guided by this logic: to design lighting capable of existing on a grand scale while remaining precise, sensitive, and deeply connected to the location. A luminous design conceived to accompany artists, structure spaces, and guide the audience’s gaze to the heart of the show.
Between visual power and narrative finesse, light here becomes a language in its own right — a direct link between stone and life.
A project where heritage and contemporary creation meet to give birth to a timeless experience.
Production: Les nocturnales
Direction: Luc Petit
Text: Michel Teheux
Light designer / operator: François Vandermeeren










We participated in the lighting design and operation for Qing Show, a permanent, international-scale immersive show designed for a 360° theater featuring an aquatic stage, special effects, and advanced media systems.
We developed a lighting narrative that serves the storytelling, with particular attention to spatial perception, contrast dynamics, and the integration of volumes within a complex and evolving stage environment.
Our involvement was part of a multi-department technical ecosystem (video, automation, laser, FX), requiring precise synchronization and a deep understanding of the interactions between light, materials (water, smoke, laser, reflective surfaces), and media.
We also managed the operation of a large-scale lighting system in the context of a permanent show, with high demands for reliability, precision, and reproducibility.
Position: Lighting & Laser Designer & Operator























